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Hargreaves
Hargreaves
35mm Film
Colour 35mm
Black and White 35mm
Disposable Cameras
120mm Film
Colour 120
Black and White 120
Instant Film
Cameras
Chemicals
Darkroom Equipment
Developing Accessories
Photo Paper
0
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Colour 120 Harman Phoenix 200 120 Colour Film
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Alex-Doran---Duck.jpg
Alex-Doran---Fairground.jpg
Alex-Doran--Portrait.jpg
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Michelle-Parr---Roses-on-Bricks.jpg
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Harman Phoenix 200 120 Colour Film

£10.99

Introducing the new Harman Phoenix 120 colour film!

Following the successful launch of their brand new emulsion formula, Harman have now released their much beloved colour film as a medium format 120 film and is the only colour film made entirely in the UK at their factory in Mobberley.

Getting the best out of your Phoenix 120 -

The film is consistent with 35mm emulsion i.e. experimental and therefore has some quirky characteristics:

• High contrast with strong, visible grain

• The larger 120 negatives offer much more detail than a 35mm neg.

• Getting exposure right is still important for the best results!

• ISO 200 – but many say best results around ISO 100 (overexpose by 1 stop and process as standard)

• Because halation in the highlights is better than mucky shadows!

• It performs best in constant, even light and scenes.

• But if in doubt, meter for the mid tones or bracket exposures.

• It has some quirky colours – these are impacted by exposure and/or scanning

• Digital camera scanning gives the best results.

• The film also benefits from a good lens on your camera (the contrast exacerbates vignetting)

• Standard C41 Processing although people are experimenting with E6!

Quantity:
Add To Cart

Introducing the new Harman Phoenix 120 colour film!

Following the successful launch of their brand new emulsion formula, Harman have now released their much beloved colour film as a medium format 120 film and is the only colour film made entirely in the UK at their factory in Mobberley.

Getting the best out of your Phoenix 120 -

The film is consistent with 35mm emulsion i.e. experimental and therefore has some quirky characteristics:

• High contrast with strong, visible grain

• The larger 120 negatives offer much more detail than a 35mm neg.

• Getting exposure right is still important for the best results!

• ISO 200 – but many say best results around ISO 100 (overexpose by 1 stop and process as standard)

• Because halation in the highlights is better than mucky shadows!

• It performs best in constant, even light and scenes.

• But if in doubt, meter for the mid tones or bracket exposures.

• It has some quirky colours – these are impacted by exposure and/or scanning

• Digital camera scanning gives the best results.

• The film also benefits from a good lens on your camera (the contrast exacerbates vignetting)

• Standard C41 Processing although people are experimenting with E6!

Kodak Ektar 100 Professional 120mm Film
Kodak Ektar 100 Professional 120mm Film
from £14.99
Size:
Ilford Delta 100 Professional Black and White 120mm Film
Ilford Delta 100 Professional Black and White 120mm Film
£7.99
Harman Phoenix 200 Colour 35mm Film
Harman Phoenix 200 Colour 35mm Film
£12.99
Kodak Tri-X 400 Professional Black and White 120mm Film
Kodak Tri-X 400 Professional Black and White 120mm Film
from £9.99
Size:

Introducing the new Harman Phoenix 120 colour film!

Following the successful launch of their brand new emulsion formula, Harman have now released their much beloved colour film as a medium format 120 film and is the only colour film made entirely in the UK at their factory in Mobberley.

Getting the best out of your Phoenix 120 -

The film is consistent with 35mm emulsion i.e. experimental and therefore has some quirky characteristics:

• High contrast with strong, visible grain

• The larger 120 negatives offer much more detail than a 35mm neg.

• Getting exposure right is still important for the best results!

• ISO 200 – but many say best results around ISO 100 (overexpose by 1 stop and process as standard)

• Because halation in the highlights is better than mucky shadows!

• It performs best in constant, even light and scenes.

• But if in doubt, meter for the mid tones or bracket exposures.

• It has some quirky colours – these are impacted by exposure and/or scanning

• Digital camera scanning gives the best results.

• The film also benefits from a good lens on your camera (the contrast exacerbates vignetting)

• Standard C41 Processing although people are experimenting with E6!

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